/ ALBUM / Between Isekai and Slice of Life

/ ALBUM / Between Isekai and Slice of Life

This album was released in 2021 and is titled "Isekai," which means "another world" in Japanese. The album expresses a world and identity undergoing significant changes, drawing inspiration from Japanese Anime, Caribbean philosophy, and creolization.

I wanted to create an album that captures the essence of "SWAYING."

Produced by Miho Hatori
All songs written by Miho Hatori
except #5 written by Miho Hatori & Paul Wilson

Miho Hatori (Vo, Keys, Programming) Kaveh Nabatian (Trumpet) on #2 Paul Wilson (Keys) on #3, #5 & #7 Timo Ellis (Bass) on #5
Austin Williamson (Drums) on #6 BIGYUKI (Keys) on #5
Shoko Nagai (Keys) on #7

Engineered by
Miho Hatori, Danny Taylor (#5), Mike Swoop (#6), Ryu Kawashima (#7)
Mixed by Miho Hatori, Ryu Kawashima (#7)
Mastered by Sabino Cannone

/ MUSIC VIDEO / Tokyo Story

/ MUSIC VIDEO / Tokyo Story

I made this video with my dear friend and an incredible performance artist, Ei Arakawa, during the pandemic.

I’m wearing 108 masks. The number 108 is the number of human egos/sufferings in Buddhism.

108という数字は、仏教では、人間の煩悩の数です。除夜の鐘も、108回撞きます。

In 2021, our hope is in the final scene.

Directed by Ei Arakawa and Miho Hatori

Director of Photography: Soren Nielsen

Colorist: Ayumi Ashley

Make-Up/Hair: Tomomi Gonzalez

Producer: Miho Hatori and Wyatt Angelo

/ EP / Bach Prelude No.2 C minor

/ EP / Bach Prelude No.2 C minor

CLASSICAL COMPOSER series. Vol.1 - BACH featuring Danny Meyer

I made this piece for the Fashion show by YAJUN in 2018.
The designer Melody asked me to use this Bach song, Prelude No.2.
So I asked *Danny Meyer to program this Bach melody with microtones. That was beginning of this project.

Bach’s composition is very familiar to everyone and has an eternal beauty.
What is fascinating about this piece is that it’s very architected— we can still enjoy listening to it in reverse. This structure made me think of a movie, Tenet.

I thought it’s nice to approach this piece by Bach from a current technological view. We are still dealing a pandemic state of mind and the mysteries of time like during Bach’s era, but the same hope for healing from the sounds for a more opened space-time.

P.S. I added an old Japanese poem by Ono no Komachi on the cover art. A sign that universal feelings remain unchanged within us from a long time ago.

Miho Hatori 01.22.22

*Danny Meyer is a New York City-based musician and computer programmer currently writing a programming language for composing and visualizing microtonal music and other geometric sequences called WereSoCool.
Learn about WereSoCool here >>> LINK
And see/hear things made in with WereSoCool here >>> LINK

For this recording, Danny wrote a transcription of the Bach composition in just intonation. "While this music was written for an equal-tempered keyboard, it's still exceptionally tonal and so it's nice to hear the intervals played in tune." 

Released February 4, 2022

/ ALBUM / Miss Information

/ ALBUM / Miss Information

Miho Hatori created Miss Information while in residence at Brooklyn’s contemporary arts gallery/creative hothouse, Pioneer Works. Miho began with a simple concept, “What if information was a woman?" She had been contemplating information not as dominating with oft-hidden data-points, but something akin to the moon, a mysterious natural energy that, in her words, “brings change to the planet.”

The first song she released — appropriately, “Miss Information Theme” — was about the goddess of information ending up in Los Angeles, and having a plastic surgery. Miho’s conceptual data flow progressed from there.

“I started to think about the Silk Road, and that time when a lot of information travelled between western and eastern countries,” she says, invoking the trade routes that connected the Far East with the Mediterranean and Eastern Africa since about 1000 BC. Sequence, is the musical map of a journey, planned and programmed by a mistress of poly-cultural (mis)information processing. It’s about translation of ideas, literal and emotional, with no genres and borders.

Two of the album’s stand-outs are abstract electronic pieces named for the immortal 13th century Sufi poet, Rumi, setting portions of his poem “A Great Wagon” to music. These form the core choreography of Miss Information’s dance between history, the present and an imagined future.

As befits a modern adventurer - especially one whose quest took place in a creative environment as well-stocked with inspiration as Pioneer Works - Hatori’s voice and computer are joined by guests. On “Sand Storm,” drummer Greg Fox and guitarist Patrick Higgins invoke decades of rock music inspired by the desert while Nicky Mao manipulates samples into howling symphonic winds of the open spaces. On the trap-like “Viva! Madrid!,” Hatori’s rhymes are abetted by a verse from a now-retired New York MC who now answers by his birth name, Himanshu Kumar Suri. (Look him up!)

Miss Information and her guests deliver a real kind of news - ahistorical, timeless, poetic - for our age, but also required for all ages.

“The time right now is a very interesting time we are living,” Miho says. “A lot of things are coming up to the surface — consciousness and empathy — that is never talked about in the media. So I thought it was interesting to think about this more hidden information, and get rid of that hidden information. To me that is very female. Think about the history of humanity and the structure of society. As a woman, I think it’s a very interesting topic.” 

CREDIT

Released October 12, 2018

All songs are written by Miho Hatori
(Except Viva! Madrid! Lyrics and Rhyme by Himanshu Kumar Suri and Miho Hatori)

Produced By Miho Hatori
Recorded at Pioneer Works Studio, 6A Studio, Josh’s home
Mixed By Danny Taylor (House Under Magic)
Mastered By Heba Kadry (Timeless Mastering)

Cover Photo By Kimisa H
Cover Photo Make Up by Mariko Tamegai
Graphic Design By Daniel Kent
Art Direction By Miho Hatori

Songs Rumi 1 and Rumi 2 are taken from Rumi-
The 13th-century Persian poet, jurist, theologian, and Sufi mystic.
The translations are from The Essential Rumi by Coleman Barks.

Special Thank you to Mr.Barks for permission rights of use, Gabriel Florentz and all Pioneer Works Team.

Rest in Peace, Alatas who introduced Rumi to me.

/ MUSIC VIDEO / Formula X

/ MUSIC VIDEO / Formula X

Directed by Miho Hatori and Woodson Legrand

Thank you to Melvin Grave Guzman, Ashley Harris, Webb Allen and Nika Sarabi.

CIBO MATTO

The Band formed by Yuka Honda and Miho Hatori (1994~2002, 2011~ 2017),

Music Video, “Sugar Water”, Directed by Michel Gondry

  • The debut studio album by the band Cibo Matto, released on January 16, 1996, by Warner Bros. Records.

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  • The second studio album by Cibo Matto released in 1999.

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  • The 3rd and final album, released in 2014.

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  • an EP, released in 1997

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  • Released in 2007. It collects material released from 1995 to 1999.

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SMOKEY & MIHO

The band formed with Smokey Hormel.

  • Songs by Baden Powell and Vinicius de Moraes’s masterpiece, “Os Afro Sambas”.